Film Theory Vs. Realism - 1509 Words

In the initial days of cinema, film theories tended to divide into two opposing views, Formalism and Realism. Formalists believed the formal properties of cinema shaped the way films were made, as well as our responses to them. For formalists, the challenge was to establish film as an independent art form. They found their answer in film’s formal properties, which enable the filmmaker to alter reality and create new worlds within the screen. Formalist filmmaking reached its peak in 1920s with Sergei Eisenstein editing technique, and using intellectual montage with startling effect. In contrast, Realist believed the importance of capturing and recording reality. This is where they considered the essence of filmmaking lies. Formalists on the other hand can argue if that were pure cinema then â€Å"no more actors, no more story, no more sets, which is to say that in the perfect aesthetic illusion of reality there is no more cinema† (Bazin, Andre). I disagree, capturing r eality can still be an art style and Realism proves that and it’s especially highlighted in the period known as Italian Neorealism. Italian Neorealism was a hugely influential film movement. It sprung from the aftermath of WWII and ended around 1951. Notably emerging from the magazine Cinema, from a particular group of critics who were prevented from writing about politics. They switch to cinema to rebel against the Italian film industry under Mussolini influences. One of the primary goals of Italian NeorealismShow MoreRelatedMagical Realism As A Literary Genre932 Words   |  4 PagesMagical Realism is a literary genre that integrates fantastic or mythological elements into otherwise realistic fiction. It is described by the basic, direct presentation of strange, magical events. Magical realism is basically characterized by the utilization of fantasy that vast majority believe in. Examples of such things include ghosts, psychics, and the theme of fate and destiny. It permit s the novelist to venture into the fantasy realm without totally losing the feeling of reality. MagicalRead MoreThe Concept Of Readymade Art Emerged At The Forefront Of The 20th Century1034 Words   |  5 Pageslines between art and non-art. Absurdity had been introduced, and standards plummeted, in limbo for eternity. Art became void of all rules and obligations, the very distinctions they require. With no structure the art world is obsolete. Through theories of realism, I believe that ready-mades should not be given the title of art because they seek to glorify objects that do not elevate human understanding of the world, and that do not possess objective qualities of beauty. Marcel Duchamp can be seen asRead MoreMovie School Vs No Film School Essay1064 Words   |  5 PagesFilm School Vs No Film School So, you want to be a filmmaker. 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